Media ministry review of teen dating movies
But Pasolini saves the big one for the end: The film ends with a shocking and hilarious vision of Hell in which Satan cracks open his butt cheeks and shits out streams of screaming friars.
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Luckily, Carrie has telekinetic powers, which she uses to toss her mom across a room, electrocute her principal, and burn down her high school's gymnasium, killing hundreds of students. Perhaps better described as anti-celibacy than anti-Christian, the film ends with a moment of grace that casts the film's view of faith in a somewhat gentler light, but it's hard to overstate how violently some religious viewers responded to the image of a Catholic priest doing it with — in which fun-loving teen Kevin Bacon arrives in a small town where preacher John Lithgow has banned rock music and dancing — landed on a Hollywood exec’s desk today, they’d be too afraid to produce it, lest it offend some key demographic. Also, its plot is almost as incomprehensible as the Bible's.
It’s Lithgow’s villain who really makes the movie: Soft-spoken and patronizing when he’s not spitting out the fire and brimstone ("He’s testing us!! Even so, you've got to admire Kevin Smith for having the nerve to cast George Carlin as a cardinal (who tries to make Catholicism more accessible by replacing the crucifix with a statue of Jesus giving a thumbs-up), Chris Rock as the thirteenth apostle (who was omitted from the Bible for being black), and Alanis Morrisette as God (this really pissed off Christians, since her second album had just come out and it was a total stinker). Documentary filmmakers Rachel Grady and Heidi Ewing probably never set out to make Evangelical Christians look crazy, but when they showed up at the Kids on Fire School of Ministry, a children's Bible camp in Devils Lake, North Dakota, and set up their cameras, that's exactly what happened.
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