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In a parody of the fembots from The Bionic Woman, attractive, blonde fembots in alluring baby-doll nightgowns were used as a lure for the fictional agent Austin Powers in the movie Austin Powers: International Man of Mystery.The film's sequels had cameo appearances of characters revealed as fembots.
Fembots in Japan, for example, are designed with slenderness and grace in mind, People also react to fembots in ways that may be attributed to gender stereotypes.
This research has been used to elucidate gender cues, clarifying which behaviors and aesthetics elicit a stronger gender-induced response.
As more realistic humanoid robot design is technologically possible, they are also emerging in real-life robot design. Robotess is the oldest female-specific term, originating in 1921 from the same source as the term robot.
A gynoid is anything that resembles or pertains to the female human form.
The first gynoid in film, the maschinenmensch ("machine-human"), also called "Parody", "Futura", "Robotrix", or the "Maria impersonator", in Fritz Lang's Metropolis is also an example: a femininely shaped robot is given skin so that she is not known to be a robot and successfully impersonates the imprisoned Maria and works convincingly as an exotic dancer.
They fought in two multi-part episodes of the series: "Kill Oscar" and "Fembots in Las Vegas", and despite the feminine prefix, there were also male versions, including some designed to impersonate particular individuals for the purpose of infiltration.While not truly artificially intelligent, the fembots still had extremely sophisticated programming that allowed them to pass for human in most situations.The term fembot was also used in Buffy the Vampire Slayer (referring to a robot duplicate of the title character, a.k.a. The 1987 science-fiction cult film Cherry 2000 also portrayed a gynoid character which was described by the male protagonist as his "perfect partner".Not only did the servo motor and platform have to be ‘interiorized’ (naizosuru), but the body [of the fembot] needed to be slender, both extremely difficult undertakings.Researchers have noted the connection between the design of feminine robots and roboticists' assumptions about gendered appearance and labor.Among the few non-eroticized fictional gynoids include Rosie the Robot Maid from The Jetsons.